Daniela Soto-Innes reborn

At the W Punta de Mita, she introduces RUBRA, her new project that's more than just a restaurant, it's a manifesto of "tropical Mexican" cuisine where every dish speaks of the land and sea. With a kitchen team led by women, its own garden, and a philosophy that values joy and local flavor, Soto-Innes shows us why she was named the "World's Best Female Chef."

By María Galland
8th of october 2025

The first thing you see on the winding road into W Punta de Mita isn’t the sea but a block of rose-colored concrete rising from the jungle. That prism is RUBRA, the new kitchen-studio of Daniela Soto-Innes—the chef who conquered New York at Cosme at just 25 and who, at 34, has traded Manhattan’s roar for the hush of Nayarit’s waves.

After a voyage through Asia and the Yucatan Peninsula, she decided her next restaurant had to move to the rhythm of sun and tide. She laid out a 400-square-meter garden directly in front of the wood-fire line; minutes before each service, cooks harvest hoja santa, chiltepín and dragon-fruit blossoms that splash color onto the plates. The open kitchen—staffed almost entirely by women—thrums with cumbia and the crackle of mesquite embers. 

The style is what she calls “tropical Mexican.” Picture jackfruit tiradito in fermented-habanero leche de tigre; smoked amberjack collar glazed with piloncillo–soy; heirloom-corn custard hidden under coconut foam and charred pineapple. Nothing tries to dazzle a critic; everything smells like the beach, tastes like a garden and crunches beneath bare feet like a seashell.

More than a menu, RUBRA is a manifesto. Stations rotate weekly, tips are split evenly, and wages beat local luxury-hotel norms. Named World’s Best Female Chef in 2019, Soto-Innes shuns hierarchy and leads through joy. “A happy kitchen tastes better,” she repeats while finishing a tamarind sauce over a still-smoking octopus.

Opened in December 2024, RUBRA is already a must-stop for surfers, gastronauts and travelers who collect destination dining experiences. Tables sell out weeks ahead, yet the chef insists the project isn’t about glamour but belonging: tending the garden, listening to the Pacific, tearing puffed tortillas with your hands.

Trained in Houston and later under Enrique Olvera, her greatest teachers were coastal cooks who taught her the tempo of beans and reverence for golden plantains. That empirical wisdom now mingles with Korean fermentations and Cosme’s laser-sharp discipline: tortillas puffed at 250 °C and ceviches that sparkle after 36-hour curing. RUBRA is also a classroom; young cooks from San Blas and Tepic learn that cuisine can speak in regional accents and with a gender-aware voice. 

About the author:
María Galland
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